![]() ![]() Although the names for some settings changed between models, broadly the harmonies on the left are a set of intervals within the octave, where toe down and heel down on the treadle are each a different harmony setting, allowing for some very unusual intervals to be created on-the-fly. There are three areas to the pitch control - harmony, to the left, detune, on the top right, and the pitch-shift settings on the right. However, knowing that many players were using the Whammy for its idiosyncratic sound, the engineers at DigiTech included a toggle to revert it to the glitchier tones of the Whammy IV, which would glitch on a chord input. The modern Whammy V improved the tracking of the pedal, and added the ability to play polyphonic sounds, allowing for chords. Some players park it in toe down or heel down, some sweep between the two and accent particular notes, some use the act of sweeping as a sound effect in itself, and some experimental players park it part way through its sweep, for radically bitcrushed, dissonant sounds. By dynamically changing the pitch, the character of the player can come through much more clearly, and there are literally thousands of ways to use the effect. The treadle (lever) is the defining feature of the Whammy, whether used for expressive garbling of notes like Tom Morello, sound effect-like squeals, or kicking a solo up a notch. The Whammy V again simplified, taking the polyphonic advancements and retaining MIDI control, but returning to the form factor of the Whammy IV. The Whammy DT added polyphony and more drop-tuning modes, but its large size was a turn-off. Justin Chancellor of Tool was a prolific user. The Bass Whammy was a bass-optimised variant of the pedal that was originally released around the time of the Whammy II, and then reissued due to player demand. The XP series is most famous for the XP-300 Space Station, a box of weirdo effects still highly sought- after today and the inspiration for new effects like the Red Panda Tensor. It wasn’t as popular as the original, however - a failing that would carry over to the next pedal in the series, the XP-100 Whammy/Wah. Besides power users like Tom Morello, you can hear it on Steve Vai tracks, Smashing Pumpkins records, and as an increasingly prominent feature of Radiohead’s sound, for example on the main riff of My Iron Lung.Īfter the success of the WH-1, the Whammy II ditched the Ferrari Red colour scheme and re-oriented itself around a small LCD screen. It’s hard to overstate the effect of a mass-market digital pitch-shifter becoming available for the first time, but the fact that you can hear its distinctive warble on so many records testifies to its popularity. Included are some presets that run through the capabilities of the plug-in.The Whammy was introduced in 1989, becoming an instant classic. This plug-in has the capability to easily reproduce this mod, by adjusting only a few parameters. Many users of the Boss OC-2 pedal seek to add a hardware modification that disables the output filter and dynamics sections in order to produce a more synth-like tone.“Listen” radio buttons allow the user to tap the audio at any stage to hear what’s happening behind the scenes, and bypass certain sections if desired.Includes a “Scope Tuning” control to affect the zoom ratio. A scope displays both the key signal and the output signal, so the user can see how the plug-in is operating, and help identify what controls need to be adjusted in order to track more accurately or produce the intended sound.A DC-offset switch corrects the input signal to improve tracking on rectified or offset signals.In phase-multiplier mode, the full dynamics of the key signal are retained. In additive mode, dynamics for the oscillators can be controlled either by a noise gate or an envelope follower, both keyed off the input signal.The additive mode simply mixes in the octave down signals (via user-adjustable levels and wet/dry balance), whereas the phase-multiplier mode flips the phase of the key signal, following the state of the selected oscillator. ![]() Option for two modes of operation: additive oscillators or phase-multiplier.Controls to all the typically fixed values for low-pass filters – both on oscillator outputs (changes tone from full square wave to pure sine, or anywhere in between) as well as on the detection circuit (which can fine-tune the accuracy of the octave-divider’s tracking).It’s based on the popular Boss OC-2 pedal but with many more features and customisability far beyond what other octavers offer, both hardware pedals and software. Octaver OC-D2, developed by Christopher Hooker, is an octave divider vst plugin that generates signals one and two octaves below the original. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |